An (EIAA) pronounced “eee yuh”, is an Experiment using Indeterminate methods in Algorithmic processes guided by Avante-Pop ideology.
(EIAA) is fueled by investigating the question…”How could music be more selfless, when its inescapably a self driven creation?”
Popular audio is currently a realm that is driven by conscious self thought. This is what happened when experimenting within areas of popular music structures. Ultimately this allowed the piece to be built upon more… less conscious thoughts.
Decisions other than duration of the piece were all randomly indeterminate by using computer databases, random number generators, and 9 sided dice rolls.
“An Explicit Collaborative mission to flow on heavy Youtube beats!”
“BE GOOD TO YOURSELF, BE GOOD TO PEOPLE”
“Lyrics and Mixing by JaeOhEsh (Young Joku)”
“Special thanks to Cal Carter for Engineering Freestyle 1 & 2″
“Special thanks to other Campus Green Collaborators”
This is a collaboration I recorded on Logic ProX, with a Blue Microphone Bluebird Cardioid Condenser Microphone, and Scarlett interface. The beat was from producer Alec Dacar, and featured JaeOhEsH’s vocals and mixing effects. The visual animation was made in collaboration with Sir Willis IV, and assets in frame are conceptually based.
✌❤🔥🏁 🏍BiG DUCATi🏍🏁 🔥❤✌
🎙JaeOhEsH🎙 🎹 Alec Dacar🎹
Visuals by: Sir Willis IV
Campus Green – SoudCloud: https://soundcloud.com/campusgreen/ca…
This is a collaboration I recorded on Logic ProX, with a Blue Microphone Bluebird Cardioid Condenser Microphone, and Scarlett interface. We also sampled free sounds from Youtube, and mixed effects and vocals together over a free beat by artist “Don Camillo”.
No. 02042018 is an Experimental Sound Piece.
2 People at the IMRC were given 3 hours to record during their natural workday, with the goal to capture “natural” sounds.
The sound bank’s were mixed in Logic Pro X, using the same procedure that is naturally used for pop music vocals, or pop music production.
This piece was featured in this years IMFA 2018 Critique class, comments as follows:
“Check out Lucier”
“How did you organize this?”
“What were your parameters?”
“I thought I was Tripping!”
“Why did the visualizer not sync to the audio?”
“Why did you use a visualizer?”
“What was your role in the collaboration?”
“Can you define how Taoism was used in the project?”
“Do you know what Taoism is?”
“No beginning, or end!?”
“This is triggering Nostalgia, Im seeing memories”
“What’s your Intention?”
“Was this an experiment?”
Concept: Create a 90s hip hop vibe with a 2017 auto tune vibe. Have lyrics reflecting images the instrumentals from Alec Dacar convey to the Artist. Use contemporary recording techniques and mixing techniques.
Concept: Make lyrics first, and MIDI instrumentation second, as opposed to the research guided pop standard, beat then lyric approach.
“I listen to this while i do homework”
“I couldn’t tell a difference!”
“Beat Boxing Dubstep!?”
“Wait theres a movie?”
“What the fuck did i just watch?”
Movie Concept: We (Campus Green) can synthesize energy from Litmosphere song into a visual duration of the same length. Although we must perform the video as if we were taking place in a live concert. The first day working we consulted a mystical fortune cookie that lead us to believe that inclusion of documentation of our lives during the composing time period of the project would be valid as B-Roll.